Friday, December 20, 2013

Lady Flora Hastings: A Window into Upper-Class 19th Century British Gender Roles


Introduction
The 19th Century is often depicted as rigid, honorable, uptight, and stoic.  The heroes, praised in poem, song, book, and preserved in memory, include such worthy examples as Lord Uxbridge, a hero at the Battle of Waterloo, who famously lost a leg to a cannon ball. Upon being struck by the ball, Lord Uxbridge turned to the Duke of Wellington and said, “By God sir! I’ve lost my leg,” to which the grand old Duke replied, “By God sir! So you have.”  Lord Uxbridge then continued to lead his men during the battle as if nothing hampered him.  In 19th Century England, to be English meant to be the embodiment of honor and virtue.  In turn honor and virtue reflected not only your character, but the character of your family and your upbringing. 
Among the upper and middle classes, honor was central to life.  Gentlemen and ladies lived by codes of conduct that forbade certain activities and encouraged restraint and dignity.  The home was sacrosanct and the family comprised the priests and priestesses to her cult—the Cult of Domesticity.  The pantheon enshrined mother and child.  Women were to be honored, loved, respected, and adored.  Ladies were synonymous with virtue, paragons of decorum, and were to live lives above reproach.  To aid ladies maintain lives of devoted decorum, they were to reside at home with a chaperone and could not maintain a household until they were married and provided for. 
Sharon Crozier-de Rosa, in her work titled, “Marie Corelli’s British New Woman: A Threat to Empire,” argues that as the middle class became more established and gained power in their own right, the ideals of womanhood started to shift.  This shift gave middle class woman more freedom in society by loosening restrictions based on gender roles.[1]  In A Grocer’s Tale: Gender, Family, and Class in 19th Century Manchester, Hannah Barker makes the argument that middle class women were not more free, however, their circumstances sometimes required them to abandon gender roles—causing dishonor.  Barker argues that upper class women had more freedom within gender roles because of their access to education, money, and society.[2]  This argument is supported in William Manchester’s biography of Winston Churchill, when Manchester describes the sexual liberty of upper class women in late Victorian England.[3]
The idealized view of womanly comportment was equally inflexible for upper class women; however, because of their positions as leaders of fashion, and, in the case of a select few, as political leaders, upper class women had to balance their gender role with their social and political roles.  Thus when Princess Victoria of Kent became Queen Victoria of the United Kingdom, she had to balance both her roles as sovereign and of young lady.  As sovereign she presided over a household—her own.  As a young lady, she made up part of her mother’s household.  As young lady and sovereign her household had to be without blemish or stain of dishonor.  Her example set the social parameters of the realm and would be emulated by families from every element of the social strata.
When it came to Queen Victoria’s attention that an unmarried lady, residing at the palace, was in the family way, she had no choice but to investigate the matter thoroughly.  As sovereign, her every move was reported and talked of.  Accordingly, the investigation of Lady Flora Hastings, lady-in-waiting to the Duchess of Kent—Victoria’s mother, caused a scandal that rocked the personal popularity of the monarch, threatened to overthrow the government, and focused the national eye on core values and their implementation.  The sad tale of Lady Flora Hastings illustrates the supreme importance of adherence to the established gender roles in the household and in the family during the 19th Century.
While the London Times provides much information regarding the Lady Flora Hastings Affair, periodicals such as the Satirist, John Bull, and the Age provide more in depth information concerning what people thought during the affair.  Accordingly, this paper relies heavily on information garnered from these periodicals because of their sweeping clarity on contemporary views of gender roles in regard to the Lady Flora Hastings Affair.
Historical Overview
                Victoria’s childhood was replete with trials.  Her father died when Victoria was very young and she was raised exclusively by her mother, the Duchess of Kent, and her mother’s comptroller, Sir John Conroy.  Conroy sought to dominate Victoria’s mother and hoped that by controlling the Duchess of Kent he could control the future Queen.  He devised a method for raising the young princess, called the Kensington System, that kept Victoria isolated from her peers and the King’s court.  She was not allowed to sleep in her own bedroom, but had to share one with her mother.  She was not allowed to read popular books, or attend social gatherings at court and thus she became resentful towards her mother and her mother’s faction.  Her only ally growing up was her governess, the Baroness Lehzen.  When Victoria received the news that she was Queen, her first act was to spend an hour alone—her first ever, and to order that she be given a room of her own.
                Upon ascending to the throne she moved from Kensington Palace to Buckingham Palace, becoming the first monarch to take up residence there.  Victoria wished to use this move, separate her household from her mother’s but her Prime Minister, Lord Melbourne advised her against it.  She was immediately popular with the people and enjoyed the new freedoms she experienced.  Her household came to be dominated by her former governess, Baroness Lehzen.  As Lehzen was fiercely anti-Conroy, and Conroy was the dominating force in the Duchess of Kent’s household, tensions grew.  Partisans eagerly awaited the opportunity to disturb the peace and in May of 1839 an opening was presented in the form of the Lady Flora Hastings. 
                Lady Flora Hastings was the daughter of a formerly influential Tory Lord.  Victoria’s faction was dominated by Whigs, the political opponent to the Tory Party.  Lady Flora was fiercely loyal to Sir John Conroy and had supported the Duchess and Sir John while Victoria was under the Kensington System and for this reason Victoria resented her.  Thus when Lady Flora returned to the palace from the countryside late at night accompanied by Conroy and appeared the next day feeling ill and with a swollen stomach rumors began to fly.  The circumstances being suspect and out of character with 19th century morality, Lady Flora was assumed pregnant by Sir John Conroy—out of wedlock.
                Several notable ladies of the court reported the gossip to the Queen and Victoria believed them.  She ordered Lady Flora barred from the Royal presence and sent a doctor to examine her.  At first Lady Flora objected and claimed innocence.  She appealed to her own doctor, who wrote the Queen to tell her that Lady Flora was not to his knowledge pregnant.  But Victoria insisted that Sir James Clark, her own personal physician, perform a naked examination to confirm Lady Flora’s virginity.  Without any alternative, Lady Flora consented to the examination, which confirmed her virginity.  The Queen apologized and all would have been well—however, the next morning, news of the affair was published in several reputable newspapers.
                The ensuing scandal decreased Victoria’s popularity.  The people sided with Lady Flora, who they thought was mistreated.  Lady Flora’s brother, the Marquis of Hastings demanded that Lord Melbourne—the Prime Minister, remove the gossiping ladies from the Court.  Lord Melbourne refused to do so.  The Dowager Marchioness Hastings, Lady Flora’s mother, wrote to demand that some sort of punishment be met to the offending ladies and again Lord Melbourne refused to take action.  The scandal became a rallying cry against the Whig government led by Melbourne and boosted Tory popularity.  Lady Flora achieved martyr status, as she died in June of 1839 from a cancerous tumor that caused her stomach to be distended.  Furthermore, by examining the actions of the partisans one can better understand the acceptable gender roles in the upper-class Victorian household and family.
Main Body
Lady Flora, as a young woman member of the Court had several different roles to play.  She had to be the epitome of a virtuous young single woman in the care of and caring for the Duchess of Kent, she had to be a virtuous example, to the young women outside the Court, of moral rectitude, and she had to demonstrate her devotion to her family as she upheld the honor of the Hastings family.
Foremost, as a member of the Duchess’ household, Lady Flora had to be the in forma substantiae, the essence of an idealized young maiden attendant to the Duchess of Kent.  In an article from the Satirist, the authors make clear their view of the women at court as gossips and cynics.  They contrast the stereotypical idea of a lady-in-waiting with the old crones of court.  The article goes on to say that these old gossips would have been preoccupied with the appearance of Lady Flora and gone tattling to the Queen telling her that, “[the] condition of Lady Flora as being one of flagrant and notorious pregnancy, and insisted upon the disgrace which would accrue to the Court, from having an unmarried woman, in such a state, in close attendance upon the mother of Her Majesty.”[4]  This quote is highly informative because it exposes several layers of the Queen’s household.  First we see that the household of a maiden queen was full of ladies.  This is in keeping with the 19th Century perception of morality that a maiden should not be overly-exposed to the opposite sex.  Additionally, the necessity for purity is manifest in the language used to describe the scandal.  Important to the role Lady Flora owned in the Court is the last sentence which describes her relationship with the Duchess of Kent and the vitality of her reputation.  It is apparent that Lady Flora, by virtue of her position was expected to reflect the character of her patronne, the Duchess of Kent.
Lady Flora was supposed to be a virtuous example to the women outside of court because of her association with the Queen’s mother and her proximity to the sovereign.  This point is illustrated in a different article printed in the Satirist where the author writes about how unlikely it would be that a Lady—a woman—would, “with a knowledge of her guilt, court exposure, and go on to the last moment brazening out her crime, until the pains of pa­­­rturition should tear away all chance of concealment, and draw upon herself, the Court, and the Queen, the execrations of the nation.”[5]  The article, which speaks of the role of Sir James Clarke, Physician to the Queen, in the scandal further demonstrates the ramifications of a pregnant Lady Flora Hastings.  It is clear from this article that all eyes were on Lady Flora Hastings because of her public position.   In 19th Century Britain, the Court transformed from a very political role, under the early Hanoverians, to a symbolic role that lead society.  The Queen was to “set the bar” for social norms and etiquette.  As a member of the Court, specifically as lady-in-waiting to the Duchess of Kent, Lady Flora’s every move would have been reported in the Court Circular, in newspapers, and in Journals. 
                Finally, as a scion of the noble Hastings Family, much would have been expected of her as a daughter and sister.  Reverend Grundy writes about the responsibilities of a daughter during the 19th Century.  He writes, “In such a home one question will be asked over and over again by the ideal daughter within herself; one thought will abide daily in her heart—‘How can I help mother?  How can I share her burden, ease her toils, reliever her mind, and lift some of her cares out of the way?’”[6]  As a daughter Lady Flora was obligated to make the honor and comfort of her family her top concern and every action of hers reflected the character of her family.  With her father dead, her mother and brother would inherit the devotion previously given to her father.
The scandal provides insight through the Duchess of Kent into the role of female guardians.  As Lady Flora’s patronne au Court the Duchess of Kent would be censored to protect her and look after her.  In an article written in the Satirist one reads, “She might have sent for her mother, and committed to her an investigation which certainly was not a fit subject for a maiden of nineteen.  There were many other courses which might have been pursued…Even the Baroness could hardly have dared to suggest that the Duchess…might not be safely trusted with an investigation into the character of one of her own household.”[7] This article presents several interesting insights into the role of women in society and in the household.  Specifically to the Duchess of Kent, the article makes clear that the woman with absolute power over Lady Flora’s position at Court ought to be her sponsor.  The Duchess of Kent, as sponsor to Lady Flora ought to have been given charge of the investigation because she was directly responsible for Lady Flora’s conduct.  The duchess would have been like a “mother-figure” to Lady Flora, and, in return for the service Lady Flora provided as lady-in-waiting, would have been responsible to help arrange a good marriage, present her to well-connected individuals, help her to improve her accomplishments, and look after her general well-being.  The Duchess’ role was further entangled by her relationship with the Queen.  As the estranged mother of a young maiden Queen, the Duchess of Kent would be scrutinized and watched to see what power her example had to the young Queen Victoria.
Queen Victoria, by nature of who she was, found herself in a myriad of conflicting roles in society.  As a young lady, (aged 19 during this scandal) the Queen would have been considered a child and expected to follow her mother’s guidance.  As a Constitutional Sovereign, Victoria would set the rules by which Society ran and also be expected to exemplify the accepted rules of society.  As a daughter of the Duchess of Kent, Victoria owed her mother respect and obedience—yet as her mother’s Sovereign, her mother owed her daughter fealty.  Therefore it is unsurprising that early articles treating the scandal are conflicted in their verdict on the Queen’s comportment.  In an article written for the Satirist, it was reported[8]
The Queen, however, did not act thus, and it is with almost as much astonishment as sorrow that we contemplate the course which she did pursue.  A medical examination!  A medical examination of a lady denied that any grounds existed for the scandal against her, and who attributed the appearance that accused her to natural and probable causes!  And that horrible order prescribed by a virgin Queen—one who must have most accurately felt the full extent of the punishment and degradation which such a mode of vindication must impose!  We cannot think upon the fact, and upon the circumstances of its occurrence, without the most painful reflections;--we cannot review them without the most unpleasant suspicions as to the fitness and delicacy of feeling in one whom we would picture as all innocent, all pure, all unspotted by matronly knowledge—all unsophisticated as to the facts which had been brought before her.
Thus we see that the Queen is held by Society’s standard to act a certain way that is becoming of a young woman.  She is supposed to be innocent, perhaps even a little naïve.  And yet, she is Queen and the responsibility for affairs at Court lies with her.  And yet as the Head of Household, she is expected to be the ultimate font of justice, wisdom, and mercy.  Another article by the Satirist states, when speaking about the continued royal employment of Sir James Clark, “that it is disgraceful to the Queen and to her Court that he should be suffered to continue about the Palace.”[9]  As Queen, the behaviors of her courtiers reflects her own attitude towards morality.  Almost equally upsetting to the public as Sir John Clark’s confessions, as found in the article above, is that the Queen did nothing to punish him for his transgression.  The role of Queen Victoria in her own household and in the public perception could fill several volumes; however for the purpose of this paper she provides a good example of both the expectations of a head of household and of a high-born young maiden.
Lord Melbourne, the Prime Minister of the United Kingdom during the scandal, occupied an interesting role during the early reign of Queen Victoria.  Deprived of a father figure for much of her life, it is suspected that she looked to him as a father for advice and comfort.  As Prime Minister, he had to be the protector of the Queen’s image.  As leader of the Whig party, he felt a need to be super politicized and yet sought, above all, his own advancement.  He was an apt manipulator.  In the Figaro in London, Melbourne is described, “like a Lilliputian Nero, (being in every way less than the monster alluded to) would not mind playing the fiddle (if he knew how) while the country was being torn to pieces, so long as he could only be as cosey and comfortable as his lethargic disposition seems to require.”[10]   Lord Melbourne, was popular with the people but he was also hated.  His relationship with the electorate was weird.  As a father figure he felt the need to protect his young Queen.  As a politician he sought his own advancement. 
                Another example of male roles in the 19th Century family come from the reports generated about the Marquis of Hastings, Lady Flora’s brother and the head of the Hastings Family.  With his sister’s reputation besmirched, the noble Marquis ran eagerly to her aid.  As a Peer of England, he had the right to demand an audience with the Queen, which he was granted.  As seen in this article from the Figaro in London the Marquis was the epitome of loyalty.[11]
We are glad to find from a very spirited letter addressed by the Marquis of Hastings to Lord Melbourne, that the former is resolved not to let drop the rascally conspiracy against his sister, and that he will not let even the slime of insignificance, or the crust of insensibility shield them from the consequences of their disgusting and infamous conduct.  The Marquis of Hastings seems strongly impressed with the idea of that a scavenger is required at court, and he appears to make himself the active person in the disagreeable process of emptying the cess-pool of impurity—Buckingham Palace.
The Marquis was determined to satisfy the demands of honor.  As his sister was wounded by the vicious gossips of the Court, he was determined that those gossips lose their positions of influence.  Lord Melbourne was determined to protect the ladies of the Court, all friends to his cause and of the Queen.  The result was an attempt at a government cover-up.  At first the Marquis believed strongly that the Queen was innocent and simply sought justice.  As the cover-up continued, Hastings realized that he would have to continue his quest for vindication despite the Crown.
                Hastings became a public hero because of his dedication to his sister.  His popularity aided the Tory Party and he was seen as a reformer.  The Figaro continues, “We only notice the affair for the purpose of expressing our admiration of the noble conduct of the Marquis Hastings, in coming forward to vindicate the character of his sister, even though he must as it were, throw his guantelet into the very face of royalty.”[12]  The Marquis needed to vindicate his sister—anything less would be a betrayal of his duty as her brother.  His conduct exemplified the idealized role of a brother.  His loyalty to home and family was admirable and demonstrated the standard for the period.
                However, the Marquis of Hastings was not only Lady Flora’s brother, as the current Marquis of Hastings he was the head of her family, and therefore, he had to protect her and see to her well-being.[13]
Lord Hastings professes to be assured that his sister was vilified and ill-treated by Lady Portman and Lady Tavistock, and we dare say he is quite right ; but if he was so convinced, why did he not resent it like a man, and take his sister away from a place where she was so shamefully ill-treated?  He tells us that if he had done so, it would have been thought to afford some ground for slander.  This is childish and nonsensical.  The certificates of the two surgeons which came out contemporaneously with the publication of the affair, at once concluded that all doubt upon the subject—there never was a day when the English public thought Lady Flora Hastings to be pregnant. 
                If Lady Flora had resigned, everybody would have said that it was a very proper step in her mother and brother to withdraw her from a society where she had been so grievously insulted.
This role was complicated by his loyalty to the Queen and to the Tory Party.  The Tory Party, now called the Conservative Party, believed firmly in the Sovereign.  The Hastings Family, Tories all, did not believe that anything was worth threatening the stability of the Queen’s reign.  The Satirist further examines this duplicitous loyalty saying, “he could not admit that he left his sister at Buckingham Palace through the over-persuasions of his great political leader, who was so anxious that by these means the Court should have an opportunity to ‘hush it up.’”[14]  The Marquis of Hastings, like so many in this scandal, had conflicting roles.  Perhaps, that is the best way to describe the 19th Century Family—conflicted.  The appearance of unity was paramount.  The ideals were noble.  The reality was much more complicated—just like the families of today. 
                The Marchioness Dowager of Hastings, as the Lady Flora Hastings’ mother, also held a complicated position.  Her son was the Head of Household.  Her political loyalties lay with the Tories.  Her social loyalties lay with the Duchess.  However, she remembered Victoria from Victoria’s childhood.  As a mother she wanted to, and was obligated to seek the welfare of her child.  As a loyal subject of the Queen she wanted to believe that the Queen was the font of wisdom and grace.[15]  As a loyal friend to the Duchess of Kent, she wanted to keep the scandal quiet so as not to harm her daughter, her friend, and her Sovereign.  Thus her loyalties were torn—that is, until Lord Melbourne’s rudeness towards her forced her to appeal to the press.  Only Lord Melbourne’s ouster would enable justice to be met.
                The public reaction to the scandal was mostly sympathetic to Lady Flora Hastings.  The populace was mostly disgusted at the manner in which the noble women of the court conducted themselves.  This article was published in the Satirist, which castigates the court saying, “Will it be credited that such wretches are to be found in England—wretches so callous and devoid of feeling as to sport with the death-pangs of a virtuous and unoffending female?  And yet such wretches there are in the persons of women of exalted rank and presumed virtue.”[16] This quote demonstrates the heat of the rhetoric used against women who “unsexed” themselves and betrayed the womanly ideal. At the onset, the public did not blame the Queen however, as time wore on they became disillusioned with Victoria and resented that she did not protect the honor of Lady Flora.  They were disgusted with the “political machinations” of Lord Melbourne.  The next election temporarily ousted Lord Melbourne and his return, a few days later, returned him with no support from either Commons or Lords.[17] 
Conclusion
The awful turn of events that launched a scandal in Victoria’s Court, is remarkable beyond its scope as an intriguing tale of court plots and scandal.  The Lady Flora Hastings Affair demonstrates quite clearly the roles of men and women in the upper class family and the importance of the cult of domesticity.  Lady Flora Hastings was tragically caught in the cross fire of Lord Melbourne’s political machinations and suffered great angst because of it. 
                In the Queen’s favor, she attempted numerous times to reconcile with Lady Flora.  And while she was unwilling to punish the gossips that caused the scandal she did attempt to repair the damages caused by her actions.[18]  To Lady Flora’s credit, on her deathbed she asked one of the ladies present to tell the Queen that she did not blame her in the slightest. 
                This triumph of forgiveness shows how deeply the values of the period influenced the two young women and again supports the ideal of femininity.  Though the people were angry about the purported “misconduct” of the Court and Cabinet—truthfully all of them fulfilled their duties as prescribed by their roles in society and family—albeit with perhaps too much vigor and too little love.  It is equally clear that the Lady Flora Hastings affair shows that gender roles were deeply entrenched in the upper-classes.  The 19th Century emphasis on family was what saved Victoria in the end.  When she married Prince Albert, Victoria’s popularity soared.  Albert helped effect a reconciliation between Victoria and her mother, the Duchess of Kent.  Family unity and family values became the emphasis of the Monarchy and Lord Melbourne lost power, never to regain it. 









[1] Crozier-De Rosa, Sharon. 2009. “Marie Corelli's British New Woman: A threat to empire?” The History of the Family 14, no. 4: 416-429.

[2] Barker, Hannah. 2009. A grocer's tale: Gender, family and class in early nineteenth-century Manchester. Gender & History 21, no. 2: 340-357.

[3] Manchester, William. Winston Spencer Churchill The Last Lion: Alone (1932-1940). Dell Publishing: New York, New York. 1988. Print

[4] “We speak, we believe, the sentiments of every manly heart.” 1839. The Satirist; Or, the Censor of the Times no. 366: 124.

[5] “The actors in the affair of Lady FLORA HASTINGS are somewhat like the nine worthies in Love's Labour's Lost.” 1839. The Satirist; Or, the Censor of the Times, October 13, 1839.

[6] Fahey, D. M. 2005. “Inside the Victorian home: A portrait of domestic life in Victorian England.” Choice 42, no. 6: 1086.  
[7] “We speak, we believe, the sentiments of every manly heart.” 1839. The Satirist; Or, the Censor of the Times no. 366: 124.
[8] “We speak, we believe, the sentiments of every manly heart.” 1839. The Satirist; Or, the Censor of the Times no. 366: 124.
[9] “The actors in the affair of Lady FLORA HASTINGS are somewhat like the nine worthies in love's labour's lost.” 1839. The Satirist; Or, the Censor of the Times, October 13, 1839.
[10] Lady Flora Hastings. 1839. Figaro in London no. 386: 127.

[11] Lady Flora Hastings. 1839. Figaro in London no. 386: 127.

[12] Lady Flora Hastings. 1839. Figaro in London no. 386: 127.

[13] “While we were taking leave of the affair of Lady FLORA HASTINGS.” 1839. The Satirist; Or, the Censor of the Times no. 388: 300.

[14] “While we were taking leave of the affair of lady FLORA HASTINGS.” 1839. The Satirist; Or, the Censor of the Times no. 388: 300.

[15] “Correspondence which has taken place between the Marchioness Dowager of HASTINGS and Lord MELBOURNE.” 1839. John Bull no. 958: 187.

[16] “The Hastings Affair.” 1839. The Satirist; Or, the Censor of the Times no. 378: 221.

[17] “The late Russelling (rustling) in the House of Commons is regarded as the preliminary of a stir in Downing-Street.” 1839. The Satirist; Or, the Censor of the Times: 102.

[18] Victoria Regina. The Letters of Queen Victoria, Volume 1 (of 3), 1837-1843):  A Selection from Her Majesty's Correspondence between the Years 1837 and 1861. Edited by: Arthur Christopher Benson and Viscount Esher. December 5, 2006.

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